Thursday, June 19, 2014

Ashley Bialko's Coil Cylinder


ASHLEY BIALKO
Coil Cylinder

1. The artwork of my coil cylinder is that it has a close design on one part of it and the other side it has flowers on it so it’s more brightened up. The texture on the dark side is more of a stone feeling compared to the side with the flowers where it has a smooth shiny texture. The parts that are carved out are brighter than the parts that aren’t because I mixed glazes together. On the flower, I used maroon in the carved part and on the part that wasn’t I used pink.  They mixed really well and it made it stand out. On the stems I used a green because that’s the color of stems and I wanted it to look like a flower coming from the pattern. The dark, more complicated side I used black throughout the whole thing, it’s dull compared to the other side by I was completely fine with that because I wanted it to look like that.  The meaning of the piece is that everyone has a good and bad side to them no matter who the person is. I really liked the meaning and I’ve heard it a lot in my life so I decided to do a piece based on it.

2. On the complicated side I used a piece of paper to trace on the design that I picked out. As I was finished, I used a carving tool to carve out what was being done. I painted a black glaze on the whole side, then I took a sponge and scraped most of it off so it had glaze inside the cracks on what I have carved and so it had a stone type of feeling to it. On the brighter side with the flowers, the flowers were carved on and it went from there. the stems of the flowers connected to the complicated side so they wouldn’t be randomly in there and I also used a carving tool for that. Mixing the glazes came out really good and made the flowers stand out because the middle and outside was darker than the middle, it was a outline so it wouldn’t be just plain.

3. I really like my piece that I created because of the meaning and how it turned out. I’m not an artist so when I saw that it came out the way it did, I really admired it and never thought I could make such a piece that I made. It’s not really a balanced composition because the top part of it was uneven and the sides were bumpy a little. When I tried to fix it, it was too late and it was hard and wouldn’t budge no matter how hard I tried so I left it the way it was. It represents good craftsmanship because of the tools, designs, and work that was put into the cylinder. It has a good texture to it and it’s really unique so I thought it was different compared to stuff I’ve seen in the past.


Wednesday, June 18, 2014

Ashely Adamo's Toad House


Ashley Adamo

1.If I were to describe my artwork in detail, I would first have to tell you what it looks like. It is a circular clay that was molded off of a mold. The shape of it is pretty much an upside down bowl. I made a chimney for it which I made to look like a brick design, the color of it is a fire hydrant red. I made this so it looks more like a house. It has a circular door that I cut out of it, it’s not to tall of a door nor too short. The length of the door is just perfect it’s easy for a normal, outdoor, wild toad to fit inside. I designed a few apple green vines that loop around the house so that it looks more outdoor, kind of like a forest. I attached flowers to the vines to make it more girly for girl toads, these flowers were purple with a blue-green middle with polka dots all over the flower to make it look like seeds so it would be more natural, especially more colorful. Then last but not least I place sign above the toad door which says “Toad house”. I made the color of this sign a caramel wooden brown so that it would look like a wooden sign. My purpose for this piece was to create something that can belong outside and that can benefit to the outdoor creatures such as toads.
2. In detail I’ll explain the materials, tools and techniques I used to created this art piece. First off, to create the house in itself, I had to use the pug mill and the slab roller. I got clay  from the pug mill and then put it in the slab roller so it would flatten out into a pancake. I then got a hard bowl-like shape mold and used it to place my slab of clay on top of so it would harden and create the same shape as the mold. After that I used a sharp edge cutter to cut off extra pieces of the clay that was overlapping off of the mold and I also used this tool to cut out the door. I then used a sponge and water to smooth the house. I used the extra scrap pieces that I had left over to create the chimney, I attached these pieces using the score a slip method, and then used a tool to smooth out the inside of the chimney and the sides of the chimney. I also used the score and slip method when I attached the vines and flowers.
3. Finally,  I do like this art piece I made. I like it because its a good balanced composition. It makes a viewer look at it for all angles because they wonder what’s all around it. I believe it also represents good craftsmanship because It has radiate bright colors and good designs and its very lively.

Alexandra Elmer Ceramics 1

Ali Elmer
Ceramics art final


Toad House:
1. My toad house is used to have a home for the toads when hunting for food at night or during the day. They eat alot of insects each day so its like a form of free pest control. I will put in my garden. The toad house looks like a cartoon mushroom. The top is red with white dots. The door is wide enough for any toad to visit. On the bottom I added grass looking lines to blend into the grass of the garden. I used a dark green and light green to have an effect of a blend of the grass.


2. I used a slab roller to make the circlular bottom of my toad house. For the dome shape of the mushroom I used a mold. For the cirlces of the mushrooms, I carved them in using a knife. For the grassy lines, I used a pointy tool. I did not make the bottom of the mushroom top to look straight. I wanted it to feel a little real, like almost natural.


3. I love this piece. It came out better than I was expecting. I feel like the painting part of it could have been a little less sloppy and more controlled looking but over all it looks like a mushroom. I probably should have added more detail in the steam but I was afraid you wouldn’t be able to see it.


Coil Vase:
1. My coil vase looks like its going in and then came back out but then came in a little. I added handles to the sides. It almost looks like a trophy. For the design, I used a design called damask. The design reminded me of like vintage feel. I just kepted it simple by just having that desing with a white background. On the inside, I used the colors from the damask design, dripping down. I thought it gave it more of an interest than just having one design floating around.


2. I used the coiling method to shape this piece. For the handles, I shaped them and then scored and slipped them on to place. It took me ahwile to center them to make the other one. To carve into the design, I used a pointy tool to give it texture. For the dripping, I used a paint brush and took a big scoop of the paint and rubbed it off the top and watched it drip down.


3. I do like this piece. To me, it looks different from other things I have created. I like the handles on it, it makes it even more different. Without the handles, my piece would look alot boring.


Coil Cylinder:

1. The coil cylinder is 6 inches tall. Maybe a little more. It has a quote that says “take me to the place where my dreams come true”. On the other side there is a dream catcher. I love dream catchers so I wanted this piece to mean something. The meaning is to follow your dreams and your dreams don’t have to be big or they could be. The cylinder would catch my dreams inside and never go away.


2. I carved into the letters of the piece. With the feathers, I carved into the sides making it look like they were popping out of the side. I used a carning knife to carve away and a pointy tool for the ring of the dreamcatcher. A wooden pointy tool was used to dig in for the letter.

3. I also love this piece. The form is better than I expected. I think it represents good craftsmanship because I put a lot of work into it. It took me awhile to decide what design I was going to do. Also, the colors took me awhile to decide what I was going to do. A lot of decisions were made. I wanted to make this piece perfect.

Madison Richardson's Coil Cylinder


Madison Richardson
Coil Cylinder


The symmetric coil cylinder I created has a shiny and smooth texture that has a flat bottom surface but forms equal sides all around. The pattern I used was inspired a Vera Bradley design because all of those designs are made with unity. I painted the pattern with a turquoise blue, coral pink, a frog pond green, and purple and speckled blue grey colors. These colors formed nice contrast with one another and put emphasis on one specific area. Tiny flowers surround the curvy lines that are connected to the leaf pattern on the other side.
The materials used to put this piece together was the pug mill, slab roller, and my hands. To form and smooth this piece, I used a rib and cut the extra clay off with a knife to make it proportional. To begin this cylinder, I made a slab and cut that into a circle for the base, I used the coiling method to place on top of the circle of white clay. After forming this clay together, using a wooden tool I smoothed the coil and base together. To make the cylinder 6 inches I continued to put coils on top of one another and smoothed. Once I finished constructing, I used my fingers and smoothed the interior and exterior. When it gets to the leather hard stage, I used a sponge to smooth out the wrinkles or blemishes I needed so I could start my design. As soon as the piece was bisque fired, I rinsed it and started to carve out my design and then painted with the under glazes to add to the design. Lastly, once the under glazes were fired I used the clear transparent glaze to coat the entire piece and it was fired again. The designs on my piece cooperate with one another and look very collective. The colors had contrast and really popped out. There was movement and rhythm that will lead the viewer’s eye because of the repeating shapes and continuing lines. It had progressive flow and curvy lines all around the cylinder pot.
As a result, I was very pleased with my coil cylinder because it was very balanced and proportional which is a nice visual to look at; it made the piece have a feeling of equilibrium and stability. The piece had lots of variety including, different lines, shapes, colors, textures, values, but one solid form. The best part of this piece is that it has harmony and variety all in one. It was created by achieving and using similar elements around the work giving it an uncomplicated appearance but at the same time there is plenty of different figures around it.

Christian Foster's Coil Cylinder


Christian Foster
ceramics 1
period 5


My cylinder is about six inches tall with a opening of about three inches. The cylinder is proportional to its size and designs on the creation. The cylinder was carved with paisley swirls all around the cylinder and a paisley design creating a circle like the hollow of a tree where a owl can sleep. The cylinder is marked with a center of interest being a owl resting on a heart with a keyhole carved all the way through the heart. The owls design and figure has a sugar skull feeling when you look at it with the flower eyes and swirling design on it. The cylinder was painted by putting black glaze inside the lines of the owl and the writing on the top of the cylinder to fill the lines in and make them bold and easier to spot from a far. After the black glaze dries I put two coats of golden aspen glaze on the inside and outside of the cylinder covering all the carving work including the owl. When the golden aspen glaze dried I put amber glaze all over the cylinder on the outside except for the tree hollow which made it look like the inside of the tree more. The texture of the piece is implied with the continuous carving throughtout the piece with the paisley swirls and the sugar owl in the middle. The purpose for this cylinders design was for my best friends birthday, she loves owls to death and I thought this would be a creative birthday gift which she loved. The top of the cylinder is topped with my name and hers and the date the cylinder was made and the statement “best friends forever”.


My cylinder was constructed using the coil method, rolling coils and attaching them to form a cylinder and then smoothing them all together to create a smooth surface easier to put designs on. I used the banding wheel to make it easier to turn my piece while I was constructing it. I used the rib tool and spunge to smooth the surface of the cylinder untill it was smooth to my liking. To create the designs carved all around the piece I used just the pin tool to carve everything in detail. To creat all the delicate and active lines carved around the cylinder I found a simble design on line and turned it into a continuous, irregular design which helped the piece create that creative tree like form and look. The way the cylinder is contructed makes your mind think about a owl in a tree because the tree design is a irregular design which does not exactly look like a tree but it represents a tree. The tree hollow that was created draws your eyes to the center where most of the delicate work was done. The cylinder gives off a positive and creative feeling about it making it a great piece to look at.

My cylinder shows craftsmanship throught the detailed work that was put into every line and curve, and dot that was added onto the piece. The way the cylinder is contructed makes a persons eyes travel all around the piece by the way the lines flow together and move about the piece like flowing water. The way the colors around the piece flow with the design and enhance the artwork makes your eyes wonder about the piece to see what else their is. The design in the middle with the piece where the owl sits draws your eyes into the hollow of the tree making the piece a wonderful piece of artwork because it has so much detail and precise lines. I love my piece because it was made for a great friend which made me work harder on the artwork and put a lot of detail into it so it was perfect. My piece shows the personallity of my best friend through the delicate lines and curves and the sweet surgar owl that sits on top of a heat with a keyhole. My cylinder is a great piece because of the feeling it gives of and the meaning that was but into the work and enhanced by the continuous detail.

Elisabeth Bernier Slab Toad House


Elisabeth Bernier
Slab Toad House


My piece is a Rubix Cube toad house. It is a cube formed by five 6x6 square slabs. On each side there are nine marked smaller squares. The center square is carved in. My piece has a smooth texture on the outside and a natural texture on the outside. The purpose of my piece is to provide a toad a house. It is a fun, modern piece that will brighten up my mothers garden.
To create my piece I first had to make a 2D and 3D plan of it. Then I used the slab roller to create slabs to cut out five six by six slabs. Then once the slabs were leather hard I cut 45 degree angles out of three of the edges for all five sides. Once the structure was complete and smoothed (using a metal rib) I measured out the smaller square on the five sides and carved out the center smaller square for each side. Once all the refining was done it was put through the kiln. After my piece was fired I Began to paint each smaller square their designated color. Once all the colors were on I put three layers of clear glaze on top so my whole piece would come out shiny. Finally my piece was put through its final firing and was complete.   
I really like my toad house. It came out just how I wanted it. The colors are bright and fun. It also has a balanced composition, (your eye travels around the whole piece). There is a presence of all the colors at least once on each side. It also represents good craftsmanship. All five side are the same thickness and have the same amount of color squares on them. Plus none of the sides have the same arrangement of colors on them, and none of the same color are touching. All in all I really liked my piece.

Courtney Allen's Coil Vase

Courtney Allen
Mrs. Pietri
Ceramics 1
18 June 2014
The coil vase has a broad shoulder and a small neck. The proportion of the two are distinctly different which creates a variety of form. Two base colors were glazed on top of each other to melt and fuse together. This created a more interesting background in comparison to one solid color. Brown glaze was then splatter painted and spotted on both the inside and outside which made the alternating design different wherever the viewer looked, yet consisted in unity because the different spots stayed the same color. The brown glaze was also painted on the lip in order for it to melt off of the sides and finish the overall look. There is a contrast between the blue-green background and brown design to make the piece more appealing. It will be used for decoration.
This piece was created by using the coil technique. I started off with a flat piece of clay which I traced into a circle to use as the base. I rolled coils that were even in thickness and began to attach them on top of one another. To create the shoulder, I placed the coils on the outer edges of each other and continued until I reached my desired width. I made the piece go back in by placing the coils on the inner edges and then directly on top of one another for the lip. Once the form was completed, I smoothed the surface by using a rib to remove excess clay. This eliminated the coils from being visible.
It is not my favorite piece of artwork because I do not personally like the way the brown design came out. Regardless, it is a balanced composition because the brown does repeat throughout the entire vase which brings the whole shape together. It represents good craftsmanship because there is a demonstration of the coil technique and being able to successfully create a shoulder and lip. The glazes were also chosen to create contrast and applied to specifically enhance the form.

Emilia Filipkowska's Coil Vase



EMILIA FILPKOWSAK
Coil Vase
1. This piece of artwork is a functional vase that is planned to be used as a flower pot or vase. The vase starts off by going out from the bottom for a long whole which gives the vase a bigger middle area. Then after it hits the middle of the vase, the clay starts going in until it hits the top of the vase, where it goes out for about an inch and then it ends. The glazing method that I used was that I layered three glazes together, which gave the vase a flowy glaze look, which i think is very abstract and looks very good on the vase. Also the colors that formed on the vase are greens, blues, and tans. The colors go very well together. Overall the vase is pretty large (about 10 inches), but it is very uniform and catches the viewers eye all throughout.


2. The materials that were used to create the piece of artwork were a wooden rib, long tools with hooked bottoms, a long tool with a triangular bottom, a sponge, and a paintbrush. The wooden rib was used to smooth the vase by taking off excess clay that was coming of the vase and not belonging there. Also the long and triangular tool was used to smooth out and take off excess clay in hard to reach places by gently rubbing the clay just like the wooden rib did. Then the paintbrush and the sponge was used to smooth the vase overall and take away an unwanted lines or textures by rubbing the vase very gently. The long tool with a hooked bottom was used to smooth coils together that were used to create the vase. The techniques that were used to create this piece of artwork were coiling, smoothing, forming a slab with bare hands, and shaping the clay how you wanted it to go. We started off by forming a big slab base which was then used to construct the vase. coiled were formed after by coiling out balls of clay and then places in a circular motion onto the base of the base and kept on goings up. all the coils had to be smoothed by using the special hooked tool of just by pressing the clay together using your hands. Also if you wanted the vase to go inwards, you would have to place the coils towards the inside of the vase, and vise versa if you wanted it to go outwards, you would place the coils on the outer part of the vase. Everything was then refined and smoothed and the final vase was formed.

3. I really do like my vase a lot because I think it looks very proportional and uniform, yet it has a little bit of abstract and creativity to it as well. I also like how I achieved in making it, the exact size that I wanted it to be initially and the colors are pretty medium in their value and I really like how the glazes blended together and the colors that it formed. The artwork is a pretty balanced composition as it catches the viewers eye all throughout because of the glazes running in different ways all throughout the whole piece of artwork. You look for how far, how big, or how thin the glazes are running and where they are running, this makes it a very balanced composition. Also I think it does represent pretty good craftsmanship as it is refined very well, the vase is pretty proportional, and the gazes are painted on in a uniform and neat way. Making the whole piece of artwork as a good representation of craftsmanship.

Mikayla Termini's Coil Vae



MIKAYLA TERMINI

This piece is a large coil vase with a totally smooth surface. I started from the bottom up and made a base. I added coils to the vase and went nowhere but up from there. I made by coil vase go out then in to create and wave look and give it some tone to grab the viewer's  attention. I chose a variety of colors to make my vase stand out from others. Also I mixed colors together to make the colors blend while being fired. I left the white color of the clay to make my designs stand out and pop. I chose to have butterflies and flowers all around my vase to have balanced composition. I liked the idea to have warm and cool colors all over the vase to keep the eye steady. For the vines and stems of the flowers, I tried to keep them a green color to have that one thing be the same and tie the piece together. I did a different mix of colors such as pink, purple, maroon, green, blue, dark blue, red, orange, and yellow. I wanted the eye to travel around the entire piece. The purpose of this piece is to be calming. You can look and it and not be confused as to what's going on. Its nice and simple and its a great gift I made for my mom.  To form my pot, I used mostly my hands create the shape I wanted. To smooth my coil vase, I used a mix between my hands and a tool called the rib. To paint the design on my coil vase I used underglaze and paint brushes of all different sizes. When I finished with underglaze, I used glaze to make my vase have a shiny glass look to it. I chose the clear glaze because it brings the eye to all the colors and makes the colors stand out well together. I love my piece because of its shape and form. I also love my coil vase because of the design I chose to put on it. I love the colors I picked for both the butterflies and flowers. I think that it is a balanced composition because there are colors everywhere all around the pot and it makes you want to keep spinning the piece to see what's going to come yet. I think that it represents good craftsmanship because I took my time to build and paint it.

Tuesday, May 27, 2014

PINCH POTS CERAMICS 1 SEMESTER 2

MADDY RICHARDSON
The small thick pinch pot I created has a shiny and smooth texture that has a flat bottom surface but forms equal sides all around. These designs are painted on with light pink, light yellow, and black colors. A bow-like shape moves down from the top to the middle and connects with Aztec triangles in the center of the pot. The colors that makeup the bow-like figures and triangles are pink with three black dots inside. It is aligned with a thin yellow strip that circles around the entire pot.  This piece represents a symbol of unique designs all put together.

The materials used to put this piece together were my hands with the help of sharp and smooth tools. To start off this pot, I used the pinching method with a small ball of red earthenware clay. After forming a ball of clay, I put my thumb down the middle and slowly push out to make a hole. I used my fingers to smooth and thin out the walls of the pot so everything is congruent. I used the soothing tool to get ride of any crumbs or indents. Once it is leather hard I used a sponge to smooth out and wrinkles or blemishes I needed so I could start my design. As soon as the piece was bisque fired I drew my design onto the bisque ware with a pencil and painted with the under glazes to add to the design. Lastly, once the under glazes were fired I used the clear transparent glaze to coat the entire piece and it was fired again.


I am very pleased with the way my piece came out because it was my first time working with clay and forming a piece so I didn’t know what to expect. The designs on my piece cooperate with one another and look very collective. The repeating shapes and colors move my eye around the pot so it doesn’t get distracted by any one area. I think I could have made some parts thinner at the top so when you look and feel it, it will be the same. In conclusion, I feel like I did the best I could for the first time.  


ASHLEY ADAMO
The small pinch pot I have created forms a flower shape and the reason I say that is because It starts off 
a thin shape and then spreads out at the top, kind of like a flower that blooms. The size of my pinch pot is rather small because I based the size on how well the clay fit in my hands before I shaped the pinch pot. The random designs I put on my pinch put were stripes that were shaped like a ribbon and peace signs. The colors were a red ish purple, a yellow and green. These colors are rasta colors. they are the colors of jamaican rastafarians. Red is for the blood of all living things in the world. The gold/yellow is for all of the treasures in the world that people cherish. The green is for the earth that people walk on, to which Rastas feel a special connection. These colours represent the Rastafari way of life. They were often proudly displayed by Bob Marley, one of the leading people in the rastafarian movement. I wanted to use pure fire hydrant red but unfortunately we were out of that color. The meaning behind this pot is peace, hence the peace symbols and I couldn’t think of any other colors to use to promote peace other than the rasta colors.

To form this pinch pot I used my hands and fingers. I used the pinching technique where you roll your 
clay into a ball and then push your thumb in the middle creating a donut like shape, I then would pinch 
the inside of the pot using my thumb and pointer finger and gradually rotate the pinch pot so that I would pinch every area of the pot and then slowly it would develop into a cup like pot. I then used my fingers to smooth out the outer surface of the pot. I decided not to use a foot piece only because I believed that the pinch pot stood up very nice without any help. Once the pot was dry it was bisque fired and I drew a design that I would eventually draw on my pinch pot and then I used color underglazes to fill in my designs on the pinch pot. I would then have that bisque fired with the underglazes on it and then after that I used a clear underglaze to make the pot shiny and smooth. 

I am very pleased with how my pinch pot turned out because the designs and colors are very eye capturing and also it allows the eyes to travel all around the pot which I believe represents good balanced composition. I am also pleased with my pinch pot because of the colors, they came out even brighter after I had them bisque fired. I should have taken more time when coloring in on my design because some of the lines are a bit crooked.


SARAH DURKIN
My pinch pot is a small form that expands gradually outward from the base; there are no feet, so it merely sits upon the bottom. The design is a simple one, painted in yellow and white upon the red clay. On the underside, there is a large yellow spot, from which rays of yellow and white shoot, gradually flaring outward. These are reminiscent of rays of sunlight, the yellow spot being the sun. The piece overall, with the color scheme and symbolism of the sun, very much resembles the Western parts of the country, particularly the desert areas that could be found in such states as Arizona.

I used the basic pinching method; to do this, I rolled a ball of red clay and place it in the palm of my hand. I used my thumb to indent the center of the ball, and began to squeeze the sides while rotating the form in my hand. I worked to make sure all sides were of uniform thickness and height. Once the basic form was created and it became leather-hard, I used a variety of wooden tools (such as the loop tool, and the tool with the triangle tip), to smooth and even out the surface and interior of the pot. Once it was fired, I started with the yellow underglaze by painting a circle on the underside of the form. From there, I painted four yellow lines across from one another so that they were evenly spaced. In between these flaring yellow streaks, I painted thinner white ones. I added two more coats of the same design, and again fired it. After the underglaze firing, I added three coats of a glossy clear glaze and fired it for a final third time, to create a shiny surface.

Overall, I am please with how my pot turned out. It is, for the most part, uniform, and the design follows the movement of the piece very well. The lines hug the outside of the piece, and expand along with the form of the pot, mimicking the motion. There are, however, some spots of yellow that are a bit faded, that I should have fixed up more. Also, the lip is a bit wavy and uneven. For the most part though, I am content with the overall outcome of the piece.

EMILIA FILIPKOWSKA
1. This pot is a very small and egg-shaped piece of artwork. The size of it is proportional to the weight of it. The colors are blue, purple, and black. The blue color greatly contrasts the black color of the pot as well, by making it pop very well. The texture of the pot is definitely very rough and edgy with no smooth edges at all. The design is very tribal with many triangles, but it has a circular ongoing feel that goes throughout the whole pot which is achieved through the repetition of the design throughput the whole pot.The purpose of this pot is to serve as a little holder for jewelry, like rings and earrings. Many people might see it as a non useful creation, but in reality it can be used as a holder for small objects.
2.  The materials that I used to create this artwork are a knife to make the top of it flat and very smooth and of course clay. Also I used  a paintbrush to make it smooth. These were really the only materials that I used in the creation of this project. The two main techniques that I used were pinching and smoothing. Pinching is begun by forming a ball of clay in your hand, then sticking your finger inside of the middle of the ball and pushing it until the desired thickness of the base is achieved. after you use your thumb and forefinger to pinch uniformly through the whole ball, which starts to form a uniform hollow surface for the inside of the pot. In spots where the clay is thinker, you pitch a little bit harder, while in spots where is very thin, you do not pinch at all or very lightly. After the pinching is done, smoothing occurs. This is when you could use your fingers, a paintbrush, or a sponge to even out the surface of the pot and make it smooth.  These two techniques allowed me to shape the pot and after define it.

3. This pot really catches my eye greatly. I really like it because of the great color contrast and of how tiny and small it is. This is because it might not be that noticeable right away, but when the color will catch someones eye, it will be noticed right away. Also because it is great for little things like jewelry, which is what I need a holder for. The design is very balanced because it flows through the whole artwork and is an ongoing design. The craftsmanship is pretty good in my opinion because it is pretty symmetric and smooth. The only thing that I would change about it is make the bottom of the pot a little bit more smooth, so it did not wobble when standing straight. Overall, I think this is a pretty well-done piece of art.

COURTNEY ALLEN
The small pinch pot fits in the palm of my hands and swells upwards. The bottom is round which makes it easy to move around while standing up. The designs painted on are in black and maroon. The black outlines the top and bottom, while the maroon forms a zigzag pattern in between. Some space in the middle is left as the color of the clay. It could be used in everyday life to hold jewelry or small objects that I do not want to lose.
To form this pot I used the pinching method. I started by making a ball of clay and then pressing my thumb into the middle. I continued to pinch around the indent to eventually make a cup-like shape. By using my hands to smooth and manipulate the clay, I formed the swelling shape that I wanted. After everything was perfect, the piece was dried and bisque fired. I drew my design on with a pencil and then used the underglazes as a final touch. It was bisque fired, a clear glaze was added to make the surface shiny, and then bisque fired again.
I am happy with my piece because I like how the maroon contrasts next to the black. The zigzag helps to carry my eye all around the piece. The shape is not as symmetrical as it could be, but it makes it interesting by adding variety.

ASHLEY BIALKO
The Pinch Pot I made, it round with a bumpy/pointy top. The top part looks like a crown in a way, even though I didn't mean for it to look like that. The size I made it was medium because I didn't want it to be too big for me to work with or too small. Purple, turquoise and black were the colors I chose. I chose them because I thought they went good with the red clay and they all fit together. The texture was smooth all around and on the inside because I glazed it. My piece didn't really have any meaning to it. On the top part, where the points are, there are black dots so it's not plain and so it stands out. There is a zigzag towards the middle with all three colors, purple, black and turquoise, then below that there was right side up triangles upside down triangles and those were in turquoise and purple. At the end I did little purple and turquoise diamonds.
The tools I used was a carving tool so I could make the top part have points to it. I used my hands to form/make the pot itself. I used paint so I could paint on the design that I really liked and wanted. Some of the techniques I used was to spray it if I noticed it getting to dry and hard to handle with and to make sure it was even so nothing looked like it was off or uneven.
I like my piece because the way it came out and the colors blended together. It is a balanced composition because an eye can travel around the piece where the zigzags and the triangles are because the stand out since it's the middle of the pinch pot. My piece represents good craftsmanship because it's different than most of the pinch pots that were made, and it's a different than most designs you would see on a pinch pot itself.

MIKAYLA TERMINI
This piece is a small pinch pot with a smooth surface. I added two coils to the bottom of my pot to create a foot. The foot makes mypot stand high to be noticed. I choose the colors blue, green, and black to paint my design onto the red color of the pot. I choose the color blue and green together because the blue is a bright color, and the green is medium. I added the black to make the other colors pop. I chose the colors also because they not only fit well with each other but they go nicely with the red. On the top of my pot is a band of tribal print. In the tribal print there are triangles and zig zags. There is one black zig zag line in the middle of the tribal print. I put there to draw the eye to every detail. Under the tribal print, there is one single squiggly black line. Under that, I added diamonds and triangles. The diamond is out lined with black. In the inside of the diamond there is the bright color blue. The black makes the blue stand out. 

To create my pinch i used mostly my hands to create the shape and size of it. For smoothing I used my fingers, not really any tools. To paint the designs, I used under glaze with a small brush because I have small designs. When I finished I used a clear glaze to finish the pot. I chose clear so that way my designs and the colors would pop and stand out very well. Also the colors make the red of the pot show great. 

I like my piece because of the tribal print. I liked the tribal print in the first place because the design is just pretty design in general. I chose to use the blue because its one of my favorite colors. I chose the green because i thought that the green fit nicely with the blue. Next i chose the color black because it makes the red of the pot, the blue, and the green pop out well perfectly. I believe that its a balanced composition because all the parts of my design go all the way around the pot to draw the eye completely around and not to just one spot.



ELISABETH BERNIER
My piece is a small bowl for spare change, with no glaze on it. I decided to keep the pot it's original texture, to keep the original effect of the piece. It is a blue black and green piece with some of the original clay color mixed in. On the outside there are two wavy lines that are blue and green. All the lines are traced in black to define the lines. On the inside there are diagonal lines surrounding an eye that is in the center of the piece. The eye is blue and black wit some of the original clay color mixed in. The eye in the center is suppose to follow you. The diagonal lines represent the eyelashes. The purpose of this piece is to protect your spare change thus, the eye.
To create the pot I used red clay. I first had to wedge the clay to remove all the air from inside the clay. The red clay gives the piece a more natural look. To create the shape I used the shape of my hands, and pinched the clay to it's current shape. The only tool I used for my piece was a paintbrush, to give it color. I used blue, black, and green underglaze, to paint my piece.
At first I did not think I would like my piece, but it turned out to be my favorite so far. I like this piece because how the blue and green support each other, and how the black brings out these colors. My piece has a well balanced designed piece. Your eyes for the waves on the outside, and the eye on the inside follows you. I think it represents okay craftsmanship. The top of the pot is wavy, but by the top being wavy, the outside contrasts with it. My piece is also very thin, and could be a little thicker.

ALEXANDRA ELMER
The form of this piece is rounded and kind of curves in from the lip of the piece. The size of it could almost fit into the palm of my hands. The colors I used were a dark blue, turquoise, black and the red of the clay. The texture is nice and smooth It has a shiny look to it. The purpose of the piece symbolizes water or swimming There is wave like lines running on the piece with wavy like short lines representing the waves of the water. The dots represent people from a far distance.
First I started out with a ball of clay that sits perfectly in my palms. Then I stuck my thumb into the middle of the clay and started to pinch it using my thumb and my 4 fingers on the outside. This created a bowl like structure. Then I smoothed it using a sponge and water.
I love this piece. It symbolizes what I love: swimming. There is symmetry around the piece. Everything is the same all around. Which makes your eye go around the whole thing. My eye catches the waves of the water.

 CHRISTIAN FOSTER


 CHRISTIAN FOSTER


RYAN FRANCO